S2014 E1 • Mother (2009) - Telephoto Profile Shots

A brief analysis of one aspect of Bong Joon-ho's great film Mother (2009). WARNING: MAJOR SPOILERS. For educational purposes only.

Première diffusion : 16 avril 2014

S2014 E2 • The Imposter (2012) - Looking into the Lens

A brief analysis of Bart Layton's The Imposter (2012). WARNING: SPOILS EVERY GODDAMN THING.

Première diffusion : 25 avril 2014

S2014 E3 • The Spielberg Oner - One Scene, One Shot

One overlooked aspect of Spielberg is that he's actually a stealth master of the long take. From Duel to Tintin, for forty years, he has sneakily filmed many scenes in a single continuous shot.

Première diffusion : 6 mai 2014

S2014 E4 • Wolf Children (2012) - The Lateral Tracking Shot

Looking for a unique lateral tracking shot? Consider this example from Mamoru Hosoda's excellent film Wolf Children (2012). NO SPOILERS.

Première diffusion : 16 mai 2014

S2014 E5 • Edgar Wright - How to Do Visual Comedy

If you love visual comedy, you gotta love Edgar Wright, one of the few filmmakers who is consistently finding humor through framing, camera movement, editing, goofy sound effects and music. This is an analysis and appreciation of one of our finest comedic voices.

Première diffusion : 26 mai 2014

S2014 E6 • Martin Scorsese - The Art of Silence

Even though Martin Scorsese is famous for his use of music, one of his best traits is his deliberate and powerful use of silence. Take a glimpse at fifty years of this simple technique from one of cinema's masters. SPOILERS for Shutter Island (2010), Superman (1978) and Man of Steel (2013)

Première diffusion : 14 juin 2014

S2014 E7 • Michael Bay - What is Bayhem?

There are filmmakers we love and then there's Michael Bay. Even if you dislike him (as I do), Bay has something valuable to teach us about visual perception. This is an exploration of "Bayhem" — his style of camera movement, composition and editing that creates something overblown, dynamic and distinct.

Première diffusion : 3 juillet 2014

S2014 E8 • Satoshi Kon - Editing Space & Time

Four years after his passing, we still haven't quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.

Première diffusion : 24 juillet 2014

S2014 E9 • A Brief Look at Texting and the Internet in Film

Is there a better way of showing a text message in a film? How about the internet? Even though we’re well into the digital age, film is still ineffective at depicting the world we live in. Maybe the solution lies not in content, but in form.

Première diffusion : 15 août 2014

S2014 E10 • Robin Williams - In Motion

Robin Williams was a genius, but he was also a dedicated craftsman who explored how an actor could express character through movement. Join me in honoring this tiny facet of his work.

Première diffusion : 9 septembre 2014

S2014 E11 • David Fincher - And the Other Way is Wrong

For sheer directorial craft, there are few people working today who can match David Fincher. And yet he describes his own process as “not what I do, but what I don’t do.” Join me today in answering the question: What does David Fincher not do?

Première diffusion : 1 octobre 2014

S2014 E12 • The Silence of the Lambs - Who Wins the Scene?

In drama, two characters walk into a room. Each wants something from the other. The question of the scene is: who gets what they want?

Première diffusion : 14 octobre 2014

S2014 E13 • Snowpiercer - Left or Right

Characters make choices which they cannot take back. The question is: how do you show it visually? Here’s one solution from Snowpiercer. Warning: SPOILS ENTIRE FILM.

Première diffusion : 28 octobre 2014

S2014 E14 • Jackie Chan - How to Do Action Comedy

Some filmmakers can do action. Others can do comedy. But for 40 years, the master of combining them has been Jackie Chan. Let’s see how he does it. The 9 Principles of Action Comedy 1. Start with a DISADVANTAGE 2. Use the ENVIRONMENT 3. Be CLEAR in your shots 4. Action & Reaction in the SAME frame 5. Do as many TAKES as necessary 6. Let the audience feel the RHYTHM 7. In editing, TWO good hits = ONE great hit 8. PAIN is humanizing 9. Earn your FINISH

Première diffusion : 2 décembre 2014