Les scénaristes de Suits sont cinéphiles

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Mike: Does this mean we’re officially a team now?

Harvey: I wouldn’t move your things into Wayne Manor just yet.

Mike: So now you’re Batman?

Harvey: I’m closer to him than Clemenza.

Mike: Oh yeah, Kilmer.

Harvey: Clooney.

Mike: Keaton.

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Mike: That was amazing! It was like he was Mr. T and you were Rocky. But not like Rocky at the beginning when he’s all like scared of Mr. T, but at the end when hes all like “uhhg give it your best shot”, you know? “Adriaaaaaan!” Yes!

Harvey: That’s funny, but you might want to whip that grin off your face.

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Mike: We have an IT department?

Donna: Well, the computers don’t run themselves. At least ‘til Skynet goes active.

Mike: *in an Arnold Swarzenegger voice* Sarah Connor? *points a finger gun*

Donna and Mike: No.

Donna: That’s…
Mike: I’ll work on that.
Donna: …really bad.

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MIKE: That was awesome.

HARVEY: It was your argument. I just framed it in a way that humanised the situation and brightened all of our afternoons.

MIKE: I feel like Michael Corleone in that scene where that fat guy teaches him how to shoot that gun.

HARVEY: Are you saying that I’m the fat guy? ‘Cause I’m not the fat guy.

MIKE: Hm. Do you know what his name was?

HARVEY: Yeah.

MIKE: Cordoza.

HARVEY: Clemenza.

MIKE: I knew that, I was just testing to see if you knew it.

HARVEY: I knew that you knew that I knew.

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Harvey: The firm has presented an exercise where there’s potential for failure, okay? All I’m saying is try to create a situation where that’s not even a possibility. Kobayashi Maru.

Mike: Koba-what now?

Harvey: Star Trek. Captain Kirk. He wins a no-win situation by rewriting the rules.

Mike: …You’re a Trekkie.

Harvey: Hey, Captain Kirk is the man. I don’t want to hear another word about it. Now enough about your fake law problem, let’s deal with my real one.

Mike: Aye, aye Captain.

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Harvey: Why would she ask you to dinner just to fire you?

Mike: I don’t know, a little movie called Goodfellas, did you see it? Joe Pesci thought he was getting made, got dead?

Harvey: That’s your idea of a legitimate reason?

Mike: Karen… Where’s the money, Karen?

Harvey: Go back to your cubicle.

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Specter, Harvey Specter.

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Harvey: I’ve always heard about this place. Which room is Hoffa buried in?

Mike: I’m not sure, but the Ark of the Covenant is just down the hall on the left.

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Harvey: Looks like the rattlesnakes are starting to commit suicide.

Mike: …That’s from Mississippi Burning. This whole idea is from Mississippi Burning!

Harvey: You know that movie? I was trying to stump you with that one.

Mike: Front to back. Give me a break.

Mike: Harvey, you don’t do this. You can’t beat people. It’s not what you do.

Harvey: It is, today.

Mike: Harvey, stop. Listen, I’ve got another idea.

Harvey: What?

Mike: You’ll like it. It’s from Mississippi Burning.

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Harvey: They pull a knife, you pull a gun. He sends one of yours to the hospital, you send one of his to the morgue. That’s the Chicago way!

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Harvey: You realize that it’s a felony if you sign someone else’s name on a sworn document.

Mike: I didn’t sign someone else’s name. I signed my own name. I mean, seriously, how often do you look at a man’s shoes?

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Louis: We were… Ralph and Sam.

Mike: Who?

Louis: Ralph Wolf and Sam Sheepdog.

Mike: The cartoon characters?

Louis: Yeah. They came to the meadow every day to work, friendly. But then when they punched in the time clock, Ralph would try to steal the sheep, and Sam would stop him. I mean, it was brutal. And then they’d punch out again. Friends. And that was me and Harvey.

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Mike: Actually, I was twelve when I had my first care giver fantasy.

Harvey: Let me guess. Nurse Ratched.

Mike: Say what you will, she had a kind of stocky hotness.

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Harvey: Let’s get one thing clear. I’m not Charlie Brown, you’re not Lucy, and that’s not a football.

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Mike: Wow. You’re scared of him. It’s Louis Litt, not Darth Vader. This is what courage looks like, Jimmy. Pay attention.

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Harvey: That’s right, we’re not in Kansas anymore. Let’s move, Dorothy.

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Jenny: So you’ve been living a lie this whole time.

Mike: Uh…Yeah.

Jenny: That’s awesome!

Mike: Really?

Jenny: Yeah! I mean, as far as double lives go, you’re maybe not as cool as Clark Kent, but still.

Mike: Clark Kent?

Jenny: Mm-hmm.

Mike: Okay, you’re cut off.

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Mike: We’re talking about a guy, roughly our age, who spent over a decade in prison for a murder that he didn’t commit and we are trying to get him out. I think that’s more important than our little…whatever.

Rachel: Whatever?

Mike: You know what I mean. Problems of two people, hill of beans.

Rachel: I don’t know what you’re talking about.

Mike: Casablanca.

Rachel: Oh, I’ve never seen that movie.

Mike: You…

Rachel: No, it’s…it’s old.

Mike: “Old”? Oh my God…

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Vanessa: You know, you could just pay me out in public.

Harvey: But then I wouldnt feel like James Bond.

Vanessa: Oh, who’s that make me?

Harvey: Pussy galore.

Vanessa laughs.

Harvey: Octopussy?

Vanessa: Thats enough, Harvey.

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Tony: The hallmark of America is that the little guy gets to see justice done. We are all equals in the eyes of the law. That is why, out of all the countries in the world, I chose to come here.

Judge Palermo: What do you got to say about that, counselor?

Harvey: I say Atticus Finch makes a good speech here, but this is a fender-bender, not a multimillion-dollar lawsuit.

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Mike: Even if it’s not a test, this is a law office, not Lord of the Flies. Everybody get back to work

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Katrina: Well, if it isn’t Bonnie and Clyde.

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Harvey: Mrs. Robinson, are you you’re trying to seduce me?

Zoe: Did you just call me “Mrs. Robinson?” Okay, first of all, I’m younger than Anne Bancroft—

Harvey: Anne Bancroft was hot.

Zoe: Which brings me to my second of all: I’m hotter than Anne Bancroft.

Harvey: And I’m hotter than Dustin Hoffman.

Zoe: Not in Tootsie.

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Mike: They had the document, they kept it to themselves, and then they destroyed it. These are the facts of the case. And they are undisputed.

Rachel: [pointing to the table] Aren’t you supposed to be over there?

Mike: Y’know, I’m just…working on something for work—

Rachel: Yeah, and just…quoting A Few Good Men—

Mike: For work.

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Mike: Clifford Watkins?

Clifford excuses himself from his conversation.

Clifford: Can I help you?

Mike: Jonathan Atwater, I work for Dean Wormer in the admissions office.

Clifford: Yes, of course. And what can I do for you?

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Mike: Alright. This guy. Favorite movie.

Trevor: Grease!

Mike and Trevor: Two.

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Harvey: I love the smell of napalm in the morning.

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Harvey: Surely you can’t be serious.

Mike: I am serious. And don’t call me Shirley

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Mike: We’re gonna win this thing!

Louis: If I can’t win, I won’t run!

Mike: Uhh…what?

Louis: IF I CAN’T WIN, I WON’T RUN! That’s Chariots of Fire… Oh c’mon. Don’t tell me you don’t know that film… Y’know, like what you and Harvey do. Th-the movie quotes.

Mike: I forgot, uh, yeah—it’s, been a long time since I saw it— It’s a great, great flick, though.

Louis: Yeah.

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Harvey: If you keep talking, I’m gonna start billing you, and my time runs a thousand dollars an hour.

Mike: But isn’t this our time, Mr. Hand?

Harvey: I stand corrected. Your Fast Times at Ridgemont High quote proves you belong at the adult table.

Mike: Hey, that’s a great movie and it spoke to a generation!