Sylvia Plath and the Theatre of Mourning

The book challenges the critical tendency to see Plath's writing in `confessional' terms and draws attention to the crucial and hitherto neglected dimension of self-reflexivity. Christina Britzolakis argues that Plath developed a theatrical conception of the speaking subject which made the work of mourning inseparable from its performance in language: she shows how Plath explored the potentialities and limits of figurative language, and also engaged with the legacy of modernism, to arrive at... Voir plus